AMNUA

21世纪影像·2024   

21st Century Moving Images · 2024

诗，之后的影像 

Poetry, Moving Images Come After

2024年12月5日 - 12月19日December 5, 2024 - December 19, 2024

南京，中国Nanjing, China

主办：南京艺术学院美术馆、北京德国文化中心·歌德学院(中国)Organized by: Nanjing University of the Arts Museum, Goethe-Institut China
特别鸣谢：德国斑马国际诗歌电影节      Special thanks to: Zebra Poetry Film Festival, Germany

诗的时代过去了吗？莱辛的《拉奥孔》提出诗与画的界限，现代艺术在诗歌中探路，阿多诺追问“奥斯维辛之后还能写诗吗”……诗，作为一种媒介形式，始终在形式与伦理的交织中书写着自己的历史。而在今天，诗的声音如何回响？这个古老的媒介似乎隐退在流行的浪潮之外。哪个媒介如今最为鲜活？答案或许是诗的宿敌——图像，它在数字时代蜕变为肆意衍生的移动影像，社交短视频铺天盖地，它们吞噬时间，重塑诗的表达。在时代的媒介错位之中，我们需要追问：新旧媒介如何相互解读，相互应和？移动影像是否可以衍生为一种新的“诗”？是否存在某种普遍的“诗性”，它贯穿了艺术的形式与伦理？21世纪如何刷诗？
AMNUA年度“21世纪影像”项目聚焦21世纪媒介生态中的移动影像。作为这一项目的首届，《诗，之后的影像》，由南京艺术学院美术馆联合德国歌德学院主办，在德国斑马国际影像诗歌电影节以及其国内外影像机构和组织的协助下，以今天的“诗”为缘起，汇集了来三十余位/组来自不同领域的影像创作者和生产者的影像，在展览、放映、剧场、连线活动等一系列持续延展的活动中不断流动衍生，以自身的媒介特性回应当下，在实时与实地中唤起某种种属于这个移动时代的“诗”。

Has the Age of Poetry Passed? Lessing’s Laocoön proposed the boundaries between poetry and painting. Modern art ventured into uncharted territories through poetry, while Adorno posed the unsettling question: “Can one write poetry after Auschwitz?” As a medium, poetry has consistently written its history at the intersection of form and ethics. But how does the voice of poetry resonate today? This ancient medium seems to have retreated amidst the tides of popular culture、. Which medium now stands as the most vibrant? The answer might lie with poetry’s long-time rival—the image, which has derived in the digital age into proliferating moving images. Social media’s short videos dominate, consuming time and reshaping poetic expression.

Amid this media dislocation, we must ask: how do old and new media interpret and respond to each other? Can moving images evolve into a new form of “poetry”? Is there a universal “poetic” essence that spans artistic form and ethics? How does the 21st century “scroll” its poetry?

The AMNUA annual program 21st Century Moving Images focuses on the role of moving images in the 21st-century media ecosystem. As the inaugural edition, Poetry, Moving Images Come After is co-organized by the Art Museum of Nanjing University of the Arts and the Goethe-Institut, with the support of Germany’s Zebra Poetry Film Festival and various international moving image organizations.

Using contemporary “poetry” as a starting point, the program brings together works from over thirty creators and collectives across different fields. Through exhibitions, screenings, performances, live connections, and a series of extended activities, these moving images flow and derive. They respond to the present through the unique characteristics of their medium, evoking a “poetry” that belongs to this derivate era, realized in real time and real space.

敬请注意展期动态会议、展映、影像连线、工作坊等其他延伸活动预告。

Please stay tuned for updates on the exhibition schedule, including conferences, screenings, video online, workshops, and other related activities.